Pakistani filmsaaz bilal lashari ( waar ) ki doosri khasusiyat, di legend of maula jatt lok hero maula jatt ( Fawad Khan ) ko bananay ke baray mein ho sakti hai lekin yeh un ki asal kahani hai noori nutt ( Hamza Ali abbasi ) ki is ke sath. ghair mutawaqqa tor par haqooq naswan ke hawalay se bayanaat jo nah sirf Pakistan balkay janoobi asia mein khawateen ke khilaaf juraim ki afzaish ki roshni mein kahin ziyada majboor hain. tamam buray krdaron ko siyah rang ke malbosaat mein aur achay krdaron ko safaid rang ke libaas mein dhanpnay ke کلیشڈ basri andaaz ke bawajood, mukhalif ke DNAe mein yeh garbar hai jo lashari ko ba asar Pakistani classic maula jit ( 1979 ) par taaza dam kar deti hai .

jab ke achi terhan se banaye gaye Pakistani TV deramo ne zabardast maqboliat haasil ki hai, laali wood ( jaisa ke commercial Pakistani film industry kaha jata hai ), lashari ke –apne waar aur nabeel Qureshi ke Quaid E Azam zindah bad jaisay chand mstsnyat ke ilawa, bohat ziyada mutasir ho rahay hain. di legend of maula jit aik mumkina game changer honay ki wajah se qabil ghhor hai, khaas tor par is ki duniya bhar mein theatre mein release ( kuch qabil zikar mstsnyat ke sath jaisay Bharat ), Pakistani film ke liye ab tak ki sab se barri film, umeed hai ke usay laali wood ke liye aik sehat mand mustaqbil ki taraf le jaye gi. ab tak ki sab se mehngi Pakistani filmon mein se aik honay ki afwahen, yeh shahana فریموں, wasee sets, tafseeli products design aur roshni aur saaye ke sath camera ke khail mein jhalakti hai. fight سیکوینسز, ڈوئلز, talwar ka khail aur peecha gana dance set pees ki terhan shandaar tareeqay se کوریوگراف kya gaya hai. lashari camera ke peechay ziyada tar ahem kirdaar ada karte hain, Bashmole tehreer, سینماٹوگرافی aur editing. woh dehi kahani mein bunyadi qowat ko barqarar rakhta hai lekin cinema mein wabai amraaz ke baad ki kamyabi ke blue print ke mutabiq, aik wasee مہاکاوی فنتاسی ki terhan usay naye siray se khara karta hai, chahay woh bollywood ho ya hollywood, jahan barri khoubsurti hai .

legend … aik waaqif khandani intiqam ki kahani hai. aik nojawan maula –apne walidain ko hareef qabeeley ke afraad ke hathon qatal hotay dekh raha hai. aik رضاعی maa ki parwarish ke bawajood jo usay –apne hayatiati betay par foqiat deti hai, maula is khooni raat ke daraonay khowaboon ko nahi jhaad satke. bil akhir, inaam Yafta laraka ko –apne roz marrah ke maidan se bahar niklana chahiye, –apne ubaltay hue ghusse ko istemaal karna chahiye aur –apne afsanwi gandasa ( aik bohat bara kulhaari numa hathyaar ) se zaalmon par tabahi macha dena chahiye. zaati intiqam ki muharrak qowat ko insaaf ke liye aik Saleh , insani justojoo mein tabdeel hona chahiye .

Fawad Khan , jo –apne chehray ke ziyada tar hissay ko dhanpe hue aur balon se dhake hue hain, –apne mamool se bohat ziyada pyar karne wali nafees shakhsiyat se bohat daur hain. is ke pehlay hi manzar mein aik gladiatorial touch hai – jisay laali ووڈ-بالی wood ki zabaan mein” entry” kaha jata hai – jab woh ایلان ke sath wehshiana sulooq karta hai. Mahera Khan , maqbool series hamsafar se un ki mehbooba, bachpan ke pyare mako ka kirdaar ada kar rahi hain. sitaron ke neechay aik lamhay ke ilawa, jahan woh aik sath mil kar ریمشکل firs wheel ke oopar gatay hain, mashhoor aan screen romans itna nahi chamakta jitna usay hona chahiye. yeh Hamza Ali abbasi ba-hasiat noori hain, aur is ke shaytani behan bhai daroo ntni ( حمائمہ malik ) aur ماخا nutt ( gohar rasheed ) jo –apne tirhhe tareeqon se sab se ziyada tafreeh کرتے hain .

dilchasp baat yeh hai ke basri shaan o Shaukat ke bawajood kahani ka riwayati camp kaisay barqarar rehta hai. maklmay mein taqreeri pnpta hai, tanz o mazah home span hai, aur guftagu aur tassadum ko اسٹائلائز kya gaya hai. kohli aankhon wali, shararti noori ka aik sitam zrifi hai -‘ سونیے’ (‘ pyare’ ) – jo woh –apne dushmanon par khofnaak andaaz mein phinkta hai. phir woh musalsal khoonrezi hai jo kisi bhi سلیشر film par fakhr kere gi. sir qalam karne ki ginti ko khona aasaan hai. is ka matlab yeh hai ke, apni wazeh khamion ke bawajood, be had Tawalat aur aik lamba final, di legend … mustaqil tor par jazb aur dil lagi rehti hai .